https://collectordaily.com/photography-highlights-from-paris-photo-2022-part-3-of-4/ Thu, 17 Nov 2022 19:35:09 +0000 hourly 1 https://collectordaily.com/photography-highlights-from-paris-photo-2022-part-3-of-4/#comment-233440 Thu, 17 Nov 2022 19:35:09 +0000 https://collectordaily.com/?p=105726#comment-233440 Apologies for the spelling mistakes! (Cartier Bresson) and the others.

]]> https://collectordaily.com/photography-highlights-from-paris-photo-2022-part-3-of-4/#comment-233439 Thu, 17 Nov 2022 19:32:45 +0000 https://collectordaily.com/?p=105726#comment-233439 Thank you for the great tour of the fair. 2013 was my first and only trip to Paris Photo. I particularly love the Ringl + Pit photograph, I had never heard of them, and a visit to the Robert Mann gallery website gae a wonderful, but short, overview of their relationship and practice. Thank you for her introduction to their work. Your reference to the pixelisation of Paul Graham’s prints and their relationship to the temporal nature of spring seems a bit of long bow to draw but it is Interesting how far we have come in relation to accepting the ‘failings’ of digital photography as having their own aesthetic attributes. There are some exorbitant prices being asked for some works but the vintage Cartier a reason print of the young boy looks very special, and for that, the price seems reasonable. I’m often perplexed at the price of some photography, and knowing that the high prices keep a few people in very nice lifestyles, which is often quite opposite to the subject matter in many of the photographs, especially the more social documentary, street works. Thanks again for your wonderful and very detailed coverage.

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