Photography in the 2013 Armory Show, Part 1 of 2

In what might sound like a contradiction, this year’s Armory Show has both more and less photography than in previous years. “More”, in that by my count, there were 97 booths showing something that might be called photography (out of a possible 214 not including the publishers). That’s over 45% of the galleries, which must be some kind of record and is certainly an increase from what was on offer last year. But a glass half empty kind of person might characterize this show as quite a bit “less”, in that eclectic mid-tier randomness seems to have replaced the parade of boldfaced names and highly saleable, contemporary material that we’ve come to expect at this kind of gathering. If you are looking for Sherman, Gursky, Prince, Gilbert & George, Ruff, Struth, Tillmans, and the like, you will wear out your shoe leather and generally come up empty handed.

This portion of my notes covers the Focus area and the long extending arm of Pier 94; the second part will cover the remainder of Pier 94 and all of Pier 92. The booths/galleries are arranged by my path through the fair (with notable images first in a slideshow), roughly up and back along the aisles. For each booth, a list of photographers has been provided, with the number of works on display in parentheses. Additional commentary, prices, and pictures of the installation are also included as appropriate.

Higher Pictures (here): This booth contained three new works by Artie Vierkant. They’re physically thinner than his last works (now on Dibond instead of thick Sintra) and more compositionally complex and multilayered ($17000 each). I think they’re getting better.

Pekin Fine Arts (here): Kata Legrady (1), John Clang (2), Martin Parr (1), WassinkLundgren (4 diptychs). The photography duo of WassinkLundgren have taken to the streets of Tokyo, simultaneously taking two images of the same scenes from slightly different vantage points. The effect is Paul Graham’s The Present meets Barbara Probst, highlighting the particular unmistakable flow of Tokyo ($2000 for each diptych). While discussing the fine Martin Parr auto show image on the outside wall, I heard that Parr is at work on a book of Chinese photobooks.

Spaces Corners (here): Ed Panar (2), Andrea Galvani (1), Tim Hyde (5). These four photo collages by Tim Hyde were shown at the Philadelphia Museum of Art a few years ago. I like the way they break up the parking lot view into Cubist shards that are reassembled into abstract interruptions ($5000 each).

Bruce Silverstein Gallery (here): André Kertész (3 Polaroids), Max Neumann (6), Man Ray (1), Silvio Wolf (1 set of 30, 1), Trine Søndergaard (4), Bill Brandt (1), Shinichi Maruyama (3), Keith Smith (2), Constantin Brancusi (2), Michael Wolf (1), Todd Hido (2), Mark Cohen (1), Nicolai Howalt and Trine Søndergaard (1), Walker Evans (1), Aaron Siskind (1), Nicolai Howalt (1), Laszlo Moholy-Nagy (1). This booth was a solid mix of both contemporary work and vintage gems. This 1930s Brandt nude was a particular surprise, as I hadn’t previously seen one from earlier than the mid 1940s ($35000).

ONE AND J. Gallery (here): Jung Lee (5). I suppose it was inevitable that the “pithy phrase in neon” so prevalent in contemporary art would finally make the jump to staged photography ($15000 each).

Luciana Brito Galeria (here): Caio Reisewitz (1). Marina Abramović (2), Fyodor Pavlov-Andreevich (1), Regina Silveira (1 installation). This is a new work by Marina Abramović; I liked the tiny cracks climbing up the expanse of green and the unsettling blackened finger ($90000).

Cardi Black Box (here): Shirana Shahbazi (4). These are new works by Shahbazi, more active and overlapped than other abstractions I have seen by her.

Howard Greenberg Gallery (here): Joel Meyerowitz (2), Gordon Parks (1), Edward Burtynsky (1 diptych, 2), Imogen Cunningham (1), William Klein (4), Bruce Davidson (2), Robert Frank (2), Vivian Maier (4), Saul Leiter (4), Ted Croner (1), Caleb Cain Marcus (2). This lively diamond mural abstraction isn’t what you might expect from William Klein ($19000).

Angles Gallery (here): Ori Gersht (5, 1 lightbox, 1 diptych) Soo Kim (5). This handcut inkjet print by Soo Kim is elegantly interwoven and delicate ($10000). Another example of a contemporary photographer playing with the surface/physicality of the print.

Yossi Milo Gallery (here): Alison Rossiter (3), Simen Johan (1), Myoung Ho Lee (3), Mark Ruwedel (1 set of 15), Matthew Brandt (3), Doug Rickard (1), JD Okhai Ojeikere (2), Julie Cockburn (3). This new Matthew Brandt is more swirly and abstract than other works from this same series ($19000); the underlying lake drenched image is hardly recognizable.

Ignacio Liprandi Arte Contemporaneo (here): Jorge Pedro Nuñez (4). Square format Artforum ads projected into Albers-like layers of color ($4000 each).

Jack Shainman Gallery (here): Richard Mosse (1), Hank Willis Thomas (1), Barkley Hendricks (1). I was blown away by the electric contrast between the blue and the red/pink in this new Richard Mosse ($24000).

Galleria Continua (here): Carlos Garaicoa (2)

Aisho Miura Arts (here): Shuhei Yamada (9)

Various Small Fires (here): Liz Magic Laser (2)

moniquemeloche (here): Joel Ross and Jason Kreps (4)

CONNERSMITH (here): Lincoln Schatz (1 set of 30, 1)

Anthony Meier Fine Arts (here): Roy McMakin (1 set of 6, 1 set of 4)

Francis M. Nauman Fine Art (here): Sherrie Levine (1 set of 18 postcards)

Pilar Corrias Gallery (here): Leigh Ledare (1)

espaivisor – Galeria Visor (here): Nil Yalter (1 set of 10, 1 triptych, 1 set of 16), Sanja Ivekovic (1 set of 100)

Galeria SENDA (here): Oleg Dov (2), Anna Malagrida (2)

Galerie Crone (here): Daniel Megerle (10), Adrien Missika (4)

Galerie Ron Mandos (here): Hans Op De Beeck (1)

Rhona Hoffman Gallery (here): Luis Gispert (1), Xaviera Simmons (1), Karthik Pandian (2), Vito Acconci (1), Robert Heinecken (3)

Ingleby Gallery (here): Garry Fabian Miller (1 set of 4)

Sies + Höke (here): Joao Maria Gusmao and Pedro Paiva (1), Daniel Gustav Cramer (1 set of 7)

Sprüth Magers (here): John Baldessari (1), David Lamelas (8), Cindy Sherman (5), Louise Lawler (1)

Goodman Gallery (here): Mikhael Subotzky (2), Alfredo Jaar (1), Hank Willis Thomas (1 set of 6), David Goldblatt (3)

Corkin Gallery (here): arbara Astman (5), Thaddeus Holownia (1 set of 100), André Kertész (3), Constantin Brancusi (1), Marion Post Wolcott (1), Frank Mädler (1)

Tang Contemporary Art (here): Wang Gongxin (2 videos), Ji Zhou (1), Yang Yong (1 diptych)

Galerie EIGEN + ART (here): Ricarda Roggan (3)

PPOW (here): Adam Putman (10)

Haines Gallery (here): David Maisel (1)

Galerie van Gelder (here): Steven Parrino (1)

Leila Heller Gallery (here): Reza Aramesh (1 triptych)

Hales Gallery (here): Sebastiaan Bremer (1)

Vistamare (here): Mimmo Jodice (1)

Pierogi (here): Nadia Bournonville (1), Kevin Cooley (2)

Susan Inglett Gallery (here): Sarah Charlesworth (2)

Loevenbruck (here): Morgane Tschiember (1 set of 6)

Corvi-Mora (here): Anne Collier (2)

Kukje Gallery (here)/Tina Kim Gallery (here): Kimsooja (1), Haegue Yang (2 sets of 4, 1 set of 3, 1 set of 2), Candida Höfer (1), Jenny Holtzer (1)

Part 2 of this post can be found here.

Kalfayan Galleries (here): Hrair Sarkissian (12)

Andy Warhol Museum (here): Andy Warhol (5 modern enlargements)

Ullens Center for Contemporary Art (here): Cui Xiuwen (1)

Aperture (here): James Welling (1), Andrea Galvani (1), Enrique Metinides (1), Bill Armstrong (1), Doug Rickard (1), Michel Campeau (1), Sarah Moon (1), Richard Mosse (1), Silvio Wolf (1), Lars Tunbjork (1), Hank Willis Thomas (1), David Levinthal (1), Abelardo Morell (1), Rinko Kawauchi (1), Bruce Davidson (1), Michal Chelbin (1), Denis Darzacq

Whitechapel Gallery (here): John Baldessari (1), Roy Voss (1), Thomas Ruff (1), Zarina Bhimji (1), Rodney Graham (1), Peter Abrahams (1), Gerard Byrne (1)

Upstream Gallery (here): Frank Ammerlaan (1)

Baró Galleria (here): Ricardo Alcaide (2)

Photography in the 2013 Armory Show, Part 1 of 2

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