Part of the reason there is such consistent angst surrounding the Whitney Biennial is that it offers such a tantalizing set of opportunities. To step out into the fray and make a statement about the freshest contemporary art of the past two years is a risky endeavor, fraught with the challenges of seeing patterns in data that is inherently conflicting and noisy. But this is what makes it so exhilarating and exciting – we’re ardently hoping that this landmark show will tell us something meaningful about the art of the present, so much so that we often place unrealistic expectations ... Read more at Collector Daily.