For those used to the rectilinear rigidity of most contemporary art fairs, the Independent has come to represent a thoughtfully welcome alternative. The fair has a decidedly more fluid flow than its competitors – a jumbled cluster of angled walls spreads across three crowded floors, creating corners and wedges of awkward sizes. An absence of obvious hallways leaves gallery spaces transitioning into one another without barrier, making the experience more like wandering than dutiful down-the-aisle trudging. And even in this year’s extra densely packed version, it’s a venue of easy strolling and unexpected discovery for collectors. As has become the annual pattern here, the photography on view has been ... Read more at Collector Daily.