Two years ago, when I made my annual report on Paris Photo, instead of choosing one photograph from every booth at the fair (as has often been my approach), I decided to measure the inclusion of female photographers by only selecting images made by women. It was an instructive experience on many fronts, in that it forced me to see what was being shown and what was conspicuously absent, and who was actively promoting photographs by women and who wasn’t (the original report can be found here). The following year, Paris Photo recognized this as an issue and itself organized its ... Read more at Collector Daily.