JTF (just the facts): A total of 67 works, variously framed and matted, and hung against light grey walls in the main gallery space, the entry area, and the book alcove. The following works are included in the show: 5 chromogenic prints, c1955/later, 1958/later, c1960/later, 20×16 inches (or the reverse), in editions of 10+3AP 42 gelatin silver prints, c1946, c1947/c1970, c1948/c1970, c1950, c1950/c1970, c1951/c1970, 1950s/c1970, c1952, c1952/c1970, c1953, early 1950s, 1954/c1970, c1954/c1970, 1954/later, 1970s/c1970, n.d./c1970, sized roughly 2×2, 4×3, 4×5, 4×6, 5×7, 6×9, 7×5, 7×9, 7×10, 8×10, 9×6, 10×8, 11×14, 12×8, 13×8, 14×11 inches 7 gouache and watercolor over gelatin ... Read more at Collector Daily.

This selection of photographs made using alternative processes and techniques was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works featuring alternative processes and techniques made between roughly 1930 and the present. There were so many worthy options for inclusion in this collection that another 10 or even 20 works could easily been added without sacrificing much in the way of quality, but the curatorial limits of this exercise were fixed in ... Read more at Collector Daily.

It isn’t often that a new photography-centric art fair decides to dive into the maelstrom of the New York art fair circuit. After the breakdown of the partnership between Paris Photo and AIPAD, New York has been left without a contemporary focused look at the medium – contemporary photography is of course on view at plenty of contemporary art fairs in the city throughout the year, but photographs are often less prominently featured in these fairs (as was the case at the recent Armory Show, here). With AIPAD’s fair limiting its exhibitors to association members (and seemingly trending a bit ... Read more at Collector Daily.

JTF (just the facts): A total of 26 black-and-white photographs, framed in black and matted, and hung against light grey walls in the single room gallery space and the entry area. The show includes the following works: 20 gelatin silver prints, 1957/later, 1959/later, 1960/later, 1962/later, 1963/later, 1965/later, 1966/later, 1973/later, 1977/later, sized 24×20, 20×16 inches (or the reverse), in open editions 6 gelatin silver prints, 1959/c1959, 1959/no later than 1966, 1959/1970s, sized roughly 8×10, 14×9, 10×7, 6×10, 5×8 inches A monograph of this body of work is forthcoming from Steidl (here).... Read more at Collector Daily.

JTF (just the facts): A two-venue show, consisting of 32 color photographs, framed in black and unmatted, and hung against white/grey walls in a series of spaces at Sundaram Tagore Gallery and in the main space at Howard Greenberg Gallery. (Installation shots for both venues below.) The following works have been included in the two shows: Sundaram Tagore Gallery (here), March 2 – April 22 15 pigment inkjet prints (African Studies), 2018, 2019, sized 39×52 inches (in editions of 9), 48×64 inches (in editions of 6), or 59×78 inches (in editions of 3) 1 diptych of pigment inkjet prints (African ... Read more at Collector Daily.

As I walked in yesterday to attend this year’s AIPAD Photography Show, I was reminded of a small personal anniversary. I first visited this fair 15 years ago now, and aside from the interruptions of the pandemic years, I have consistently reported on what I have found at the fair over that entire period. At roughly 45 booths this year, hosted in a Midtown space on 5th Avenue (for the second year in a row), the AIPAD fair seems to be in an ebbing, transitional moment, where the tumults of the pandemic years and ongoing changes in tastes and interests ... Read more at Collector Daily.