JTF (just the facts): A total of 14 black-and-white and color photographs, alternately unframed/framed and hung in the main gallery space. The show includes: 6 gelatin silver prints, 1993, sized roughly 73×48 inches (or the reverse), in editions of 6+1AP 8 c-prints, 1994, sized 25×25 inches, in editions of 9+1AP 1 video, 1994 (Installation shots and video stills below.)... Read more at Collector Daily.

JTF (just the facts): A total of 19 black-and-white and color photographs, either framed in white and unmatted or unframed, and hung against white walls in the single room gallery space. The 6 black-and-white works are gelatin silver prints, while the 13 color works are c-prints, and all of the images were made in 2020. Physical sizes are 14×9, 16×11, 18×14, 36×34, 40×30, or 50×30 inches, and all of the prints are available in editions of 5. (Installation shots below.)... Read more at Collector Daily.

The photography at this year’s Frieze New York art fair seems to divide itself into two very distinctly separate camps – the brand new and the rediscovered old – with very little in between. Fresh from the framer works that were made in the past year or two are almost evenly balanced by a parade of somewhat lesser known photographs from the 1970s and 1980s. The consistency of this duality implies that a model that works for galleries is converging toward a repeatable formula. Galleries seem to have concluded that collectors (and to a lesser extent curators and institutional buyers) ... Read more at Collector Daily.