This selection of Asian photography was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works made by Asian photographers between roughly 1930 and the present. Competition was similarly tough to join this group, with well recognized names like Nobuyoshi Araki, Shin Yanigasawa, Shohei Nishino, Eikoh Hosoe, Miho Kajioka, Pixy Liao, and others ultimately left off the team, but the overall “collection” feels somewhat more uneven than the other three, perhaps in terms ... Read more at Collector Daily.

JTF (just the facts): A group show gathering together the work of 13 photographers, variously framed and matted and hung in a series of darkened galleries on the museum’s fourth floor. (Installation shots below.) The following artists have been included in the show, with the number of works included and their details as background: Sally Mann: 7 tintypes, 2008-2012 Mark Ruwedel: 7 gelatin silver prints, 2017-2020 Fabrice Monteiro: 6 inkjet prints, 2013-2020 Brent Stirton: 9 inkjet prints, 2013 Christian Marclay: 2 digital chromogenic prints, 2020 Lisa Oppenheim: 6 silver gelatin photograms exposed to firelight, 2021 Daisuke Yokota: 4 inkjet prints, ... Read more at Collector Daily.

JTF (just the facts): Self-published in 2020 (available here). Stapled softcover (297×215 mm), 160 pages, with 160 color reproductions. There are no texts or essays included. (Cover and spread shots below.)... Read more at Collector Daily.

It’s been a year of consolidation for the annual AIPAD Photography Show in New York. This 2018 edition marks the fair’s second year at the Pier 94 site (after many years at the Park Avenue Armory), and to a large extent, the organizers have built on the successes that came with the dramatic venue switch last year and have improved many of the short term weaknesses that were exposed during the initial transition. The main body of the fair once again houses roughly 100 gallery booths, in spacious confines that give the dealers more freedom to show both bigger work ... Read more at Collector Daily.

JTF (just the facts): Self-published in 2017 (here). Softcover, 124 pages, with 124 black and white photographs. There are no texts or essays. (Cover and spread shots below.)... Read more at Collector Daily.

JTF (just the facts): A group show containing roughly 90 works by 17 different photographers/groups, hung against white, grey, and dark grey walls in s series of 5 divided gallery spaces/rooms. The exhibit was originally shown in 2015 at the Museum of Fine Arts, Boston (here), where it was organized by curators Anne Nishimura Morse and Anne Havinga. The following photographers have been included in the show, with the number of works on view, their dates and processes as background: Takashi Arai: 11 daguerreotypes (including single images, 1 5×5 grid, 1 7×7 grid, and 1 triptych), 2011-2014 Nobuyoshi Araki: 6 ... Read more at Collector Daily.

JTF (just the facts): A group show containing a total of 25 photographic works from five Japanese artists/photographers, variously framed and matted, and hung against white walls in the main gallery space and the smaller back room. The exhibit was curated by Russet Lederman. The following artists/photographers have been included in the show, with the number of works, their processes, dates, sizes, and editions as background: Kenta Cobayshi: 4 inkjet prints, 2015, each sized roughly 29×20, in editions of 5 Mayumi Hosokura: 3 type c-prints, 2014, each sized 40×30, in editions of 3 Taisuke Koyama: 3 archival pigment prints, 2015, each ... Read more at Collector Daily.

This is Part 2 of our 2016 AIPAD Photography Show summary. While it is certainly possible to enter any of our reports directly, for more general background information on the fair and further information on the structure of these slideshows, head back to Part 1 (here).... Read more at Collector Daily.

JTF (just the facts): Published by Session Press in 2015 (here). Softcover, 160 pages, with 90 black and white photographs. Includes an essay by the artist and afterword by Marc Feustel. Edition of 500 copies. The book comes with a poster. (Cover and spread shots below.) The book is also available (here) in a special edition. This includes a copy of the book with a signed and numbered 8 x 10 inkjet print. Edition of 40.... Read more at Collector Daily.