This selection of Asian photography was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works made by Asian photographers between roughly 1930 and the present. Competition was similarly tough to join this group, with well recognized names like Nobuyoshi Araki, Shin Yanigasawa, Shohei Nishino, Eikoh Hosoe, Miho Kajioka, Pixy Liao, and others ultimately left off the team, but the overall “collection” feels somewhat more uneven than the other three, perhaps in terms ... Read more at Collector Daily.

As I walked in yesterday to attend this year’s AIPAD Photography Show, I was reminded of a small personal anniversary. I first visited this fair 15 years ago now, and aside from the interruptions of the pandemic years, I have consistently reported on what I have found at the fair over that entire period. At roughly 45 booths this year, hosted in a Midtown space on 5th Avenue (for the second year in a row), the AIPAD fair seems to be in an ebbing, transitional moment, where the tumults of the pandemic years and ongoing changes in tastes and interests ... Read more at Collector Daily.

JTF (just the facts): A total of 26 black and white photographic works, framed in black and matted, and hung against white walls in the main gallery space, the smaller second room, and the back office area. All of the works are gelatin silver prints, made in 1970/1998 or 1998/1999. The prints are sized 24×20 or roughly 16×13; no edition information was available. The show also includes 1 multi-panel photographic work, 1 folded album, and a selection of photobooks. The multi-panel work comprised of 81 gelatin silver print panels, made in 1970/1993. It is sized roughly 94×77. The folded album has ... Read more at Collector Daily.