This selection of Asian photography was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works made by Asian photographers between roughly 1930 and the present. Competition was similarly tough to join this group, with well recognized names like Nobuyoshi Araki, Shin Yanigasawa, Shohei Nishino, Eikoh Hosoe, Miho Kajioka, Pixy Liao, and others ultimately left off the team, but the overall “collection” feels somewhat more uneven than the other three, perhaps in terms ... Read more at Collector Daily.

This is Part 2 of our summary report on Paris Photo 2021, focusing on the booths in Section B of the fair. Part 1 of the report (here) explains the format used in the detailed slideshow below, provides some background for the discussion, and covers Section A of the fair. It is certainly possible to jump directly into any one of these individual reports, but if you want or need a bit more context, return to Part 1 as a starting point.... Read more at Collector Daily.

This is Part 5 (of 5) of our summary report on Paris Photo 2019, focusing on the far right area of the fair. Part 1 of the survey (here) explains the format used in the detailed slideshow below, and sets the stage for the discussion. So while it is certainly possible to jump directly into any one of these individual reports and start digging, return to the beginning if you want a bit more context. Part 2 can be found here, Part 3 can be found here, and Part 4 can be found here.... Read more at Collector Daily.

While it is certainly possible to jump into the middle of our Paris Photo 2016 summary reports and find your way directly to your favorite galleries, starting at the beginning and working through the booths systematically may make the most sense. Part 1 of our report can be found here, and along with one group of booth reports (the center section), it includes some general background on the fair and the outline of the slideshow format. Part 2 (the middle left) is located here, Part 3 (the middle right) is located here, and Part 4 (the far left) is located here for those ... Read more at Collector Daily.

While it is certainly possible to jump into the middle of our Paris Photo 2015 summary reports and find your way to your favorite galleries, starting at the beginning and working through the booths systematically may make the most sense. Part 1 of our report can be found here, and along with one group of booth reports (the center section), it includes some general background on the fair (pre-attacks) and the outline of the slideshow format. Part 2 (middle left) can be found here, Part 3 (middle right) can be found here, and Part 4 (far left) can be found here. This Part 5 ... Read more at Collector Daily.

While every section of our exhaustive Paris Photo roundup can be enjoyed on its own, for those that want to start at the beginning or who need some further background on how these slideshows are organized/constructed, the first segment of the survey can be found here. The second, third, and fourth segments are here, here, and here. This section covers the area to the far right of the fair, as seen from the entrance.... Read more at Collector Daily.

While every section of this comprehensive Paris Photo roundup can likely stand on its own, for those that want to start at the beginning, the first portion of the tour (along with an explanation of how the slideshows are organized) can be found here. This section covers the area to the far right of the fair, as seen from the entrance.... Read more at Collector Daily.