This selection of Asian photography was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works made by Asian photographers between roughly 1930 and the present. Competition was similarly tough to join this group, with well recognized names like Nobuyoshi Araki, Shin Yanigasawa, Shohei Nishino, Eikoh Hosoe, Miho Kajioka, Pixy Liao, and others ultimately left off the team, but the overall “collection” feels somewhat more uneven than the other three, perhaps in terms ... Read more at Collector Daily.

This is Part 3 of our summary report on Paris Photo 2021, focusing on the booths in Section C of the fair. Part 1 of the report (here) explains the format used in the detailed slideshow below, provides some background for the discussion, and covers Section A of the fair. Part 2 (which covers Section B) follows here. It is certainly possible to jump directly into any one of these individual reports, but if you want or need a bit more context, return to Part 1 as a starting point.... Read more at Collector Daily.

It’s been a year of consolidation for the annual AIPAD Photography Show in New York. This 2018 edition marks the fair’s second year at the Pier 94 site (after many years at the Park Avenue Armory), and to a large extent, the organizers have built on the successes that came with the dramatic venue switch last year and have improved many of the short term weaknesses that were exposed during the initial transition. The main body of the fair once again houses roughly 100 gallery booths, in spacious confines that give the dealers more freedom to show both bigger work ... Read more at Collector Daily.