This selection of Asian photography was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works made by Asian photographers between roughly 1930 and the present. Competition was similarly tough to join this group, with well recognized names like Nobuyoshi Araki, Shin Yanigasawa, Shohei Nishino, Eikoh Hosoe, Miho Kajioka, Pixy Liao, and others ultimately left off the team, but the overall “collection” feels somewhat more uneven than the other three, perhaps in terms ... Read more at Collector Daily.

This is Part 2 (of 5) of our summary report on Paris Photo 2019, focusing on the middle left area of the fair. Part 1 of the survey (here) explains the format used in the detailed slideshow below, and sets the stage for the discussion. So while it is certainly possible to jump directly into any one of these individual reports and start digging, return to the beginning if you want a bit more context.... Read more at Collector Daily.

This is Part 2 of our summary report on Paris Photo 2017. Part 1 of the report (here) explains the rationale behind the decision to feature only female photographers this year and includes an explanation of the format used in the detailed slideshow below. So while it is certainly possible to jump directly into any one of the individual reports, start back at the beginning if you want to understand the context.... Read more at Collector Daily.

While it is certainly possible to jump into the middle of our Paris Photo 2016 summary reports and find your way directly to your favorite galleries, starting at the beginning and working through the booths systematically may make the most sense. Part 1 of our report can be found here, and along with one group of booth reports (the center section), it includes some general background on the fair and the outline of the slideshow format. This Part 2 of the report covers the section immediately to the left of the central section, as seen from the main entrance. It might also be ... Read more at Collector Daily.

Editor’s Note: Each year we ask one perceptive visitor to Paris Photo to collect his/her impressions for an additional perspective on the fair itself and the overall experience – we certainly don’t claim that our summaries are the only intriguing slice of the material on view. Photography dealer Michael Lee from Massachusetts-based Lee Gallery (here) is back again to give us his thoughts; his summary from last year can be found here. The comments and opinions expressed here (in the text and in the slideshow captions) are his own. While I agree with the publisher of this site that we must not ... Read more at Collector Daily.

While it is certainly possible to jump into the middle of our Paris Photo 2015 summary reports and find your way to your favorite galleries, starting at the beginning and working through the booths systematically may make the most sense. Part 1 of our report can be found here, and along with one group of booth reports (the center section), it includes some general background on the fair and the outline of the slideshow format. This Part 2 of the report covers the section immediately to the left of the central section, as seen from the main entrance. It might also be called ... Read more at Collector Daily.