This selection of photographs made using alternative processes and techniques was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works featuring alternative processes and techniques made between roughly 1930 and the present. There were so many worthy options for inclusion in this collection that another 10 or even 20 works could easily been added without sacrificing much in the way of quality, but the curatorial limits of this exercise were fixed in ... Read more at Collector Daily.

If there is an overly simple conclusion to be drawn from the sparse scattering of photography on view in the booths at this year’s Armory Show in New York, it is that contemporary gallery owners must think that they can’t sell much photography right now. A nearly endless sea of paintings filled the 200+ booths at the Javits Center this past weekend, with just three photography specialists devoting their booths to the medium (Bruce Silverstein, Edwynn Houk, and Yancey Richardson) and only small pockets of photography to be found elsewhere here and there. And when photography was present, there wasn’t ... Read more at Collector Daily.

JTF (just the facts): A total of 26 works, generally framed in white and unmatted, and hung against white walls in the main gallery space, the office area, and the entry. The following works are included in the show: 10 digital archival prints, 2021, each sized 24×30 inches, in editions of 3+2AP 3 digital archival prints of scanned chemigram dyed with cochineal, 2020, each sized 24×36 inches, in editions of 3+2AP 2 digital archival prints of scanned cyanotype, 2018, each sized 24×24 inches, in editions of 3+2AP 1 natural white cotton and wool with glass beadwork (in three parts), 2017, ... Read more at Collector Daily.