This selection of photographs made using alternative processes and techniques was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works featuring alternative processes and techniques made between roughly 1930 and the present. There were so many worthy options for inclusion in this collection that another 10 or even 20 works could easily been added without sacrificing much in the way of quality, but the curatorial limits of this exercise were fixed in ... Read more at Collector Daily.

This selection of works by Black photographers was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works made by Black photographers between roughly 1950 and the present. The competition to join this group was fierce (signaling a growing momentum for works by Black photographers at fairs like this one), with works by Gordon Parks, Carrie Mae Weems, Deana Lawson, Seydou Keïta, Arielle Bobb-Willis, Ming Smith, Renee Cox, Lola Flash, Jamel Shabazz, and ... Read more at Collector Daily.

JTF (just the facts): A paired show between the two artists, on view in the two room gallery space behind the bookstore. (Installation shots below.) The following works have been included in the show: Sally Mann 18 tintypes (collodion wet-plate positive on anodized aluminum with sandarac finish), 2020, sized roughly 21×19 inches, unique 8 platinum/palladium prints, 2022, sized roughly 13×15 inches, in editions of 3+1AP Edmund de Waal 3 porcelain, Cor-Ten steel, platinum, aluminum, and glass, 2023, sized roughly 28x20x4 inches, unique 1 porcelain, Cor-Ten steel, platinum, aluminum, and glass, 2022, sized roughly 21x7x7 inches, unique 1 porcelain, Cor-Ten steel, ... Read more at Collector Daily.

JTF (just the facts): A total of 151 photographic works (including some multi-image sets and portfolios), variously framed and matted, and hung against white/black walls in a large gallery space with multiple nested dividing walls. Installation designed by Stefan Beckman. The following works are included in the show: 1 gelatin silver print, 1957/1994, sized roughly 40×114 inches, out-of-edition print 1 gelatin silver print, 1974, sized 14×11 inches 1 gelatin silver print, 1993, sized roughly 20×16 inches, engraver’s print 1 gelatin silver print, 1947/2002, sized 26×26 inches, in an edition of 12+2AP 1 exhibition reproduction, 1946/2023, sized 20×16 inches 1 gelatin ... Read more at Collector Daily.

For committed photography collectors like ourselves, the run of spring contemporary art fairs here in New York can often feel a little like a frustrating missed opportunity. We enthusiastically look forward to the fairs, and then proceed to systematically work our way through the aisles, eager to visit with gallery owners (and other collectors and curators) from far off locales and to get caught up with the photography they are supporting. And yet, more often than not, the reality is that when we do arrive to see what they’ve brought, they’ve largely left the photography home, in favor of big ... Read more at Collector Daily.

JTF (just the facts): A total of 19 color photographs, framed in white and unmatted, and hung against white walls in a single room gallery space and the office area at Andrew Kreps and in a two room gallery space at Gagosian. The following works are included in the shows: Andrew Kreps (closes one week earlier, on February 18, 2023) 7 dye sublimation prints on aluminum, 2017-2022, 2019-2022, 2020-2022, 2021-2022, 2022, sized roughly 30×24, 31×24, 32×24, 40×30, 50×40, 40×60, and 48×72 inches, in editions of 5+2AP Gagosian 12 dye sublimation prints on aluminum, 2013-2022, 2020, 2020-2022, 2022, sized roughly 32×24, ... Read more at Collector Daily.