This selection of photographs made using alternative processes and techniques was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works featuring alternative processes and techniques made between roughly 1930 and the present. There were so many worthy options for inclusion in this collection that another 10 or even 20 works could easily been added without sacrificing much in the way of quality, but the curatorial limits of this exercise were fixed in ... Read more at Collector Daily.

This selection of works by Black photographers was drawn from the booths at Paris Photo 2023. For further background on how and why this “collection” was formed, and the structure of the resulting slideshow, visit the introductory page (here). This collection consists of 20 works made by Black photographers between roughly 1950 and the present. The competition to join this group was fierce (signaling a growing momentum for works by Black photographers at fairs like this one), with works by Gordon Parks, Carrie Mae Weems, Deana Lawson, Seydou Keïta, Arielle Bobb-Willis, Ming Smith, Renee Cox, Lola Flash, Jamel Shabazz, and ... Read more at Collector Daily.

This is Part 4 of our summary report on the highlights of Paris Photo 2022. Part 1 of the report (here) explains the format used in the detailed slideshow below, provides some background for the discussion, and covers earlier sections of the fair. And Parts 2 and 3 of the summary can be found here and here. So while it is certainly possible to jump directly into any one of these individual reports, if you want or need a bit more context, return to Part 1 as a starting point.... Read more at Collector Daily.

This is Part 5 of our summary report on Paris Photo 2021, focusing on the booths in Section F and the Curiosa and Special Exhibits areas of the fair. Part 1 of the report (here) explains the format used in the detailed slideshow below, provides some background for the discussion, and covers Section A of the fair. Part 2 (which covers Section B), Part 3 (which covers Section C) and Part 4 (which covers Sections D and E) follow here, here, and here. It is certainly possible to jump directly into any one of these individual reports, but if you want ... Read more at Collector Daily.

This is Part 2 (of 5) of our summary report on Paris Photo 2019, focusing on the middle left area of the fair. Part 1 of the survey (here) explains the format used in the detailed slideshow below, and sets the stage for the discussion. So while it is certainly possible to jump directly into any one of these individual reports and start digging, return to the beginning if you want a bit more context.... Read more at Collector Daily.

This is Part 2 (of 5) of our summary report on Paris Photo 2018. Part 1 of the survey (here) explains the format used in the detailed slideshow below. It also offers some introductory thoughts on the fair as a whole. So while it is certainly possible to jump directly into any one of these individual reports and start digging, return to the beginning if you want a bit more context.... Read more at Collector Daily.

While it is certainly possible to jump into the middle of our Paris Photo 2016 summary reports and find your way directly to your favorite galleries, starting at the beginning and working through the booths systematically may make the most sense. Part 1 of our report can be found here, and along with one group of booth reports (the center section), it includes some general background on the fair and the outline of the slideshow format. This Part 2 of the report covers the section immediately to the left of the central section, as seen from the main entrance. It might also be ... Read more at Collector Daily.