JTF (just the facts): A total of 64 black-and-white and color photographs, variously framed and matted, and hung against white walls in the main gallery space. (Installation shots below.) The following works are included in the show: 17 gelatin silver prints with pencil (from Re-visions), 1978, sized roughly 6×8, 7×9, 16×20 inches 3 gelatin silver prints, 1975, 1977, sized 8×10 inches 1 gelatin silver print with applied metallic paint, 1974, sized 16×20 inches 3 gelatin silver prints with pencil (from See Changes), 1974, sized 16×20 inches 2 gelatin silver prints with applied oil pint, 1974, sized 16×20 inches 1 gelatin ... Read more at Collector Daily.

Weakness at the highest price points manifested itself in two ways at the various owner Photographs sale at Phillips last week. The Buy-In rate for lots with high estimates above $50000 came in at a whopping 55%, and an additional 7 lots were withdrawn pre-sale, from the likes of Mapplethorpe, Sugimoto, and Ruff. With those withdrawls pulled out of the tally, even with a decent number of positive surprises, the Total Sale Proceeds (of roughly $3.9M) came in below the low end of the aggregate pre-sale estimate range.... Read more at Collector Daily.

JTF (just the facts): A total of 40 photographic works, variously framed and matted, and hung against white walls in the main gallery space and the side hallway. The following works have been included in the show, grouped by project name: 1 gelatin silver print on linen, 1974, sized roughly 50×73 inches, unique See Changes: 2 gelatin silver prints with applied oil paint and pencil, 1974, sized 16×20 inches See: 2 gelatin silver prints, 1974, sized 16×20 inches Landscape/Loftscape: 4 gelatin silver print diptychs, 1976, each 16×20 inches Two Girls: 2 gelatin silver prints, 1975, sized 8×10 inches Re-Visions: 16 ... Read more at Collector Daily.

JTF (just the facts): Published by Edition Patrick Frey in September 2019 (here). Hardcover, 104 pages, with 48 black and white illustrations. In an edition of 800 copies. Includes writings by the artist. Designed by Brian Paul Lamotte. (Cover and spread shots below.)... Read more at Collector Daily.

The second part of our report on the 2018 AIPAD Photography Show is found below. While it is certainly possible to jump right in, for broader background thoughts on this year’s fair and information on the structure of the slideshows, head back to Part 1 (here).... Read more at Collector Daily.

This is Part 3 of our summary report on the 2017 AIPAD Photography Show. Part 1 of the report (here) covers the broad outlines of the fair, the new venue at Pier 94, the special exhibitions, the photobook area, and other overall reactions and analysis. It also incudes an explanation of the format used in the detailed sideshow below, so start there to get some context before jumping into the booth-by-booth image analysis. Part 2 (with the first half of the highlighted images) can be found here.... Read more at Collector Daily.

JTF (just the facts): A total of 21 black and white photographic works, framed in black/white and matted, and hung against white walls the main gallery space and in the office area. The show includes the following: 6 diptychs from Landscape/Loftscape series, 1976, vintage gelatin silver prints, each 16×20 3 prints from Tahitian Eve series, 1975, vintage gelatin silver prints, each 11×14 3 works from Landscape Collage series, 1975, each 8×10 2 prints from See series, 1974, vintage gelatin silver prints, each 16×20 3 works from See Changes series, 1974, vintage gelatin silver prints hand colored with gouache, each sized 16×20 3 ... Read more at Collector Daily.